Watch on YouTube · Published on YouTube 6 November 2026
A conversation with a robot, a room devoted to DNA and a vision of transport beyond the familiar road network: this episode of Guy in Dubai follows Paris Norriss inside the Museum of the Future. Accompanied by a guide from the museum’s programmes department, he explores how an institution about tomorrow brings together space, biodiversity, technology and architecture.
The episode is an encounter with ideas, not a promise that every invention on display is available to use. Some of the discussion concerns existing technology; other parts describe concepts or expectations at the time of filming. That distinction matters when the conversation turns to flying taxis, jetpacks and imagined cityscapes. This page accompanies the episode rather than providing current product availability or a timetable for those predictions.
A museum built around questions about tomorrow
Paris introduces the visit through Dubai’s changing ambitions, moving from the city’s earlier vision towards discussion of 2030 and 2050. Inside, the guide explains the museum’s themes. The conversation gives the episode a wider focus than a single gadget: what could people do differently, and what would that mean for the places where they live?
Instead of treating the museum as a collection of finished answers, the episode moves between different ways of thinking about the future. Space invites questions about exploration. The DNA room turns attention towards life on Earth. The technology displays make the discussion more immediate, connecting those larger themes with vehicles and ways of moving around a city.
For viewers, that provides a useful thread through the visit. Each area has a different subject, but the recurring question is how an imagined possibility becomes something people can understand, discuss and eventually decide whether to use.
Space comes first
At the start of the museum journey, the guide describes space as the first area visitors reach. He talks about its potential and the missions still to be accomplished. The discussion includes Mars exploration and images from a rover, linking an expansive subject with an example of information people can encounter beyond the museum.
This section is about more than the appearance of a futuristic environment. Paris asks what there is to learn, and the guide frames space as a field with many possibilities for future work. The episode does not establish a particular job programme or offer an application route; it uses that conversation to open up the idea of exploration.
Watching this chapter alongside the later technology sections highlights a contrast. Some developments begin with research far beyond everyday life, while others are discussed in terms of things people might recognise on a street. The museum visit puts those different scales of ambition into the same story.
The DNA room and the future of life on Earth
The focus then shifts to biodiversity. In the DNA room, Paris asks what the striking space represents. The guide discusses plants, animals and other species, explaining how visitors can explore information about them and their conservation status. The conversation connects the visual experience with questions about extinction and awareness of the natural world.
Paris follows up by asking how research around DNA and species might help the future. The exchange gives this chapter a different emphasis from the space section. Here, thinking about tomorrow also involves understanding what exists now and what could be lost, rather than concentrating only on new machines.
The episode is not a genetics lesson or a scientific claim that a display can solve biodiversity loss. Its value is in the questions the room prompts. The shift from space to species makes clear that the future being discussed is not solely technological: living systems are part of the picture too.
A robot encounter, with an unexpected answer
The visit also brings Paris face to face with a robot that says the Museum of the Future has been its home since 2022. He asks it questions, including which episode of Guy in Dubai is its favourite. The exchange does not produce the simple answer he is looking for, and his reaction turns it into one of the episode’s lighter moments.
It is a revealing change of pace. A futuristic idea is no longer only something to look at; Paris is trying to hold a conversation with it. The gap between the question and the response is part of what makes the encounter interesting, without needing to present it as a technical assessment of artificial intelligence.
The scene is best understood as an interaction captured during the visit. It does not establish how every museum robot works, what systems power it, or what a visitor will encounter today. Those details are not confirmed by the episode sources.
Electric vehicles, jetpacks and the rules around innovation
On the technology floor, the guide discusses developments that exist alongside ideas for the near future. A concept car introduces a conversation about electric vehicles and mobility. Paris then turns towards a jetpack display, and the discussion moves from what a machine can do to the risks and rules surrounding its use.
That is an important distinction in a story about future transport. The ability to build something is not the same as making it suitable for widespread use. Paris and the guide discuss safety, what is allowed and the challenge of regulating activity in the air. The episode places those questions alongside the excitement of the technology rather than treating them as an afterthought.
Flying taxis and drones appear within this filmed discussion of emerging transport. References to what may happen soon belong to that conversation, not to a current launch announcement. No ride availability, operating approval or booking option is being offered here. The chapter is a chance to hear the questions raised by new forms of mobility, not an instruction to try them.
The building is part of the story
Towards the end, attention returns to the museum itself. The guide describes a building supported by its surrounding steel structure rather than internal columns. Paris and the guide also discuss its appearance and the calligraphy associated with it. This is the architectural explanation given in the episode, not a separate engineering survey.
The setting makes a fitting final subject because the conversation has already touched on ideas that once looked like science fiction. Here, the museum building provides a tangible counterpart to those imagined futures. Paris closes the visit by reflecting on the vision he has seen while leaving open the question of what will actually happen.
Key moments in the episode
- 2:40 — Arriving inside the Museum of the Future.
- 5:02 — Why the museum journey begins with space.
- 6:23 — Mars exploration and rover imagery.
- 7:57 — Exploring the DNA room.
- 14:36 — Technology and ideas for the near future.
- 18:00 — The discussion of emerging technologies.
- 20:54 — The guide’s explanation of the building’s structure.
Continue watching Guy in Dubai
For a different experience of technology and training, watch Paris learning to fly a light aircraft. For another episode concerned with the natural world, explore planting mangroves in Abu Dhabi. Browse the Guy in Dubai episode collection for more stories.
Paris Norriss is a keynote speaker and CEO of Blazing Sand Studios. Discover The Grit Code or enquire about a keynote.